Exhibitions

MAM Screen 020: Ghost - Intervention

2024.9.25 [Wed] - 2025.1.19 [Sun]

Ghost is a tri-annual video and performance art series in Bangkok initiated by artist Korakrit Arunanondchai (b. 1986, Bangkok) in 2018. The forthcoming and final edition will be presented in the fall of 2025. For MAM Screen, curators of two editions - Arunanondchai of the first edition (Ghost:2561, 2018), and Christina Li of the second edition (Ghost 2565: Live without dead time, 2022) - have put together a special screening program with artists of the two editions as well as new voices that showcase the different ways stories and memories are inscribed onto and articulated through bodies.

Haig Aivazian (b. 1980, Beirut) uses artificial lighting as a motif to depict the various forms of light and darkness that technology has created; Riar Rizaldi (b. 1990, Indonesia) depicts the psychic experiences of two employees at a global tech company. Tosh Basco (b.1988, USA), who explores the physicality of the body in the modern age, and Chantana Tiprachart (b. 1991, Thailand), who depicts a disappearing ritual related to the Thai water god “Naga” (the serpent).

The program explores modes of corporeal resistance through the lens of technology and progress in an Asian cosmopolitan city like Tokyo that plays host to human and non-human dwellers. Staged in a place where global capital and desire for progress come together all the while profoundly entangled with tradition, Ghost - Intervention uncovers how tangible and intangible forces have and will continue to shape the world we live in.


Works Screened

1. Haig Aivazian, All of your Stars are but Dust on my Shoes, 2021, 17 min. 34 sec.

2. Riar Rizaldi, Notes on Gog Magog, 2023, 19 min. 32 sec.

3. Tosh Basco, Hand dances. 1,000 caresses, 2019, 6 min. 45 sec.

4. Chantana Tiprachart, Lai Thorn, 2020, 8 min. 36 sec.

Screenings last approximately 50 minutes in total and begin at 10:00, 11:00, 12:00, 13:00, 14:00, 15:00, 16:00, 17:00, 18:00, 19:00, 20:00, 21:00.
* The last screening begins at 16:00 on Tuesdays (excluding December 24, and December 31), and Wednesday, October 23, as the museum will close at 17:00.
* The last screening begins at 22:00 on Friday, September 27, and Saturday, September 28, as the museum will close at 23:00 those two days in association with “Roppongi Art Night 2024.”

Notice about MAM Screen 020

Due to some programs and events scheduled, the screening may be temporarily unavailable during the time-frame as below.

- 12:00-17:00, Sunday, September 29, 2024
- 15:00-19:00, Thursday, October 17, 2024

* Please note that unavailable dates and times may be added.


Haig Aivazian All of your Stars are but Dust on my Shoes
Haig Aivazian
All of your Stars are but Dust on my Shoes
2021
Video
17 min. 34 sec.
Chantana Tiprachart Lai Thorn
Chantana Tiprachart
Lai Thorn
2020
Video
8 min. 36 sec.
General Information
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MAM Screen 020: Ghost - Intervention

Notice Regarding Photography and Filming in the Galleries

At the exhibition MAM Screen 020: Ghost - Intervention you may take photographs/film of artworks under the following conditions.

When taking photographs/filming

  • Do NOT touch the artworks.
  • Be careful NOT interfere with other visitors’ enjoyment of the museum.
  • Do NOT use flash lighting.
  • Do NOT use tripods and selfie sticks.
  • Filming, where allowed, must be limited to one minute maximum.

When using photographs/videos taken of the exhibition:

  • Photographs/videos may be used for non-commercial purposes only. Photographs/videos may NOT be used for commercial purposes.
  • Photographs/videos may NOT be altered in any ways.
  • The conditions above are licensed under the Creative Commons License. When uploading photographs/videos for blogs or any other photo-sharing services, please make sure to display the photograph along with such credits as below.

Example:

Artist’s name and work title: Haig Aivazian All of your Stars are but Dust on my Shoes
This photograph/video is licensed under “Creative Commons Attribution-Noncommercial-NoDerivative Works 4.0 International.”

* For details about the Creative Commons License and marks, please see the Creative Commons Japan website:
http://creativecommons.jp
* Beware that they may infringe on that person’s right of portrait if photographs/videos that include other museum visitors are made public.



About “MAM Screen”

Since first appearing in the 1960s, video art has progressed in leaps and bounds alongside innovations in video technology. Amid the proliferation of multimedia video installations in recent years, the “MAM Screen” program showcases outstanding single-channel video works from around the world.

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