Today's contemporary art and the various circumstances surrounding it are the subject of debate around the country.
There will be some 10 opportunities to discuss these issues during the course of the exhibition.
An “opportunity for discussion” with no expectations that a conclusion will be reached.
Saturday, November 9, 2013, 18:30-
Saturday, November 16, 10:00-22:00
Friday, November 22, 19:00-21:00
Saturday, November 23, 18:30-
Thursday, December 5, 18:30-
Saturday, December 14, 10:00-22:00
Saturday, December 14, 18:30-21:30
Saturday, December 21, 10:00-22:00
Sunday, December 22, 16:30-18:00
Monday & Holiday, December 23, 14:30-18:00
Saturday, December 28, 13:00-17:00
Saturday, December 28, 18:00-22:00, and more
* Programs are in Japanese-language only.
* Please see the Japanese website for details.
* About "Discursive Platform" here
How do today's Japanese artists confront the events and happenings taking place in the society around them? How does their perspective on those things affect their sense of actuality, and how is that in turn reflected in their artworks? For this panel discussion, the exhibition curators welcome two special guests: Hayashi Michio, an art critic deeply versed in Western art history, and Kuraya Mika, who's curated the Japan Pavilion at the 55th Venice Biennale this year.
Speakers: | Kuraya Mika (Chief Curator of the of the Department of Fine Arts, The National Museum of Modern Art, Tokyo), Hayashi Michio (Professor, Faculty of Liberal Arts, Sophia University), Reuben Keehan (Curator of Asian Contemporary Art, Queensland Art Gallery | Gallery of Modern Art / "Roppongi Crossing 2013" Co-curator), Gabriel Ritter (Assistant Curator, Dallas Museum of Art / "Roppongi Crossing 2013" Co-curator), Kataoka Mami (Chief Curator, Mori Art Museum / "Roppongi Crossing 2013" Co-curator) |
Venue: Academyhills (49F, Roppongi Hills Mori Tower)
Capacity: 300 (booking required)
Admission: General ¥1,000; MAMC members free
Organizers: Mori Art Museum, Academyhills
Bookings: * Booked Out
left: Kuraya Mika (Photo: Morimoto Naoko)
right: Hayashi Michio
Visiting artists will talk about their own artworks in the gallery.
Speakers: Akira Akira, Arakawa Ei and Minamikawa Shimon, Okumura Yuki, Takasaka Masato, Tajima Mika, Ryui Koji
Venue: Mori Art Museum
Capacity: 80 (booking required)
Admission: Free (exhibition ticket required)
Bookings:
* Booked Out
“E ja nai ka ondo,” the original bon festival dance held in Fukushima in the summer of 2013, comes to the Mori Art Museum!
Performers: Otomo Yoshihide, Nagami Jun, Strange Kinoko Dance Company, et al.
Venue: Mori Art Museum
* Those wishing to participate in the dancing are requested to purchase tickets to the exhibition and proceed to the gallery space.
Photo: Matsumoto Mieko
“Reportage painting” depicted in a documentary-like fashion the dramatically changing social conditions of Japan in the post-war recovery period. Drawing on his own experiences and artwork, artist Nakamura Hiroshi, who was involved in this movement, discusses such topics as the relationship between society and artistic expression at the time and the “Kanko Geijutsu Kenkyujo (Research Center for Art Tourism)” with which he was later involved.
Speakers: Nakamura Hiroshi, Kataoka Mami (Chief Curator, Mori Art Museum / “Roppongi Crossing 2013” Co-curator)
Venue: Mori Art Museum
Capacity: 80 (booking required)
Admission: Free (exhibition ticket required)
Bookings: * Booked Out
Nakamura Hiroshi
Island
1956
Collection: Hamamatsu Municipal Museum of Art
“Mono-ha” was a tendency in the Japanese sculptural world that was the focus of attention in the 1960s and 70s. Suga Kishio, a central figure in this movement, encouraged viewers to consider not just "mono" as matter but also the surrounding space. But what exactly is “mono”? The artist discusses this in the context of his own practice over the last 50 years.
Speakers: Suga Kishio, Kataoka Mami (Chief Curator, Mori Art Museum / “Roppongi Crossing 2013” Co-curator)
Venue: Mori Art Museum
Capacity: 80 (booking required)
Admission: Free (exhibition ticket required)
Bookings: * Booked Out
Suga Kishio
Linked Space
2010
Installation View: Gallery 604, Busan
Photo: Sato Tsuyoshi
Coinciding with the launch of his career as a photographer in the mid 1960s, Nakahira Takuma began contributing incisive criticisms of photography and art. He has continued to take photographs even after losing much of his memory in 1977 due to health problems.
This program features a screening of Kohara Masashi's 2003 documentary following Nakahira's daily routine in around 2000-2003 and a related discussion of Nakahira's gaze.
Speakers: | Asada Akira (Critic), Kohara Masashi (Curator, IZU PHOTO MUSEUM), Kataoka Mami (Chief Curator, Mori Art Museum / “Roppongi Crossing 2013” Co-curator) |
Venue: Mori Art Museum
Capacity: 80 (booking required)
Admission: Free (exhibition ticket required)
Bookings: * Booked Out
left: Asada Akira right: Kohara Masashi
Talks by participating artists and museum staff conducted in a gallery tour format.
Speakers: Kobayashi Fumiko, Tsubaki Reiko (Associate Curator, Mori Art Museum)
Date & Time: Wednesday, October 30, 2013 14:00-15:00
Speakers: Asakai Yoko, Kumakura Haruko (Assistant Curator, Mori Art Museum)
Date & Time: Wednesday, November 13, 2013 14:00-15:00
Speakers: Koizumi Meiro, Tsubaki Reiko
Date & Time: Wednesday, November 27, 2013 19:00-20:00
Speakers: Izumi Taro, Mori Chihiro, Tsubaki Reiko
Date & Time: Wednesday, December 11, 2013 19:00-20:00
Speakers: Niwa Yoshinori, Kumakura Haruko
Date & Time: Wednesday, Decembver 25, 2013 14:00-15:00
Speakers: Chiba Masaya, Shiraki Eise (Educator, Mori Art Museum)
Date & Time: Wednesday, January 8, 2014 19:00-20:00
Guide: Shiraki Eise
Venue: Mori Art Museum (Please come to the entrance to the exhibition)
Capacity: 15 (first-come basis, bookings not required)
Admission: Free (exhibition ticket required)
Event Image: Gallery Talk
“Aida Makoto: Monument for Nothing”
2013
Photo: Mikuriya Shinichiro
“Roppongi Art College” always attracts a strong following with its popular, varied program featuring opinion leaders from various genres. This fall, creative guest speakers who make the world more interesting will gather together to present talks on the theme of "the future." In conjunction with “Roppongi Crossing 2013,” participating artists will also take to the rostrum.
Speakers: | Tanikawa Shuntaro (poet), Mizuno Manabu (creative director), Agawa Sawako (essayist), Nawa Kohei (artist), Manabe Daito (artist), Endo Ichiro (“Roppongi Crossing 2013” participating artist), Iwata Sohei × Prominority (“Roppongi Crossing 2013” participating artist group) |
Venue: Academyhills (49F, Roppongi Hills Mori Tower)
Capacity: 1,000 (booking required)
Total Number of Lectures: 20 (select the lectures of your choice)
Fee: | ¥4,000 (incl. tax) * Lectures are in Japanese language only. |
Organizer: Academyhills
Cooperation: Roppongi Art Triangle (The National Art Center, Tokyo; Suntory Museum of Art; Mori Art Museum)
Bookings/Inquiries: Academyhills website * Japanese only
MAMC Night is a special way for MAMC Members to enjoy exhibitions at the Mori Art Museum.
For the latest MAMC Night, we welcome Toyama Masamichi, a business man, and an art collector to be our guide along with Mori Art Museum Chief Curator, Kataoka Mami, at the Special Gallery Tour of “Roppongi Crossing 2013.”
We hope that you would enjoy the exhibition with these 2 special speakers.
Speakers: Toyama Masamichi, Kataoka Mami (Chief Curator, Mori Art Museum)
Venue: Mori Art Museum (53F, Roppongi Hills Mori Tower)
Registration: Mori Art Museum Information (3F, Roppongi Hills Mori Tower)
Attendance: | Open to all MAMC Members (Benefactor & Fellow) |
Number of accompanied guests allowed: | |
Benefactor: up to 2 guests | |
Fellow: up to 1 guest | |
* Please note that members and their guests are requested to enter at the same time. |
Admission: Free for all participants (reservations not required)
18:30 | Door open (Last admission 21:30) |
19:00-20:00 | Special Gallery Tour with Toyama Masamichi × Kataoka Mami |
20:00-22:00 | Private viewing |
22:00 | Museum closes |
Born in 1962. President of "Smiles." Toyama Masamichi established Soup Stock Tokyo, a well-known chain of soup kitchens, PASS THE BATON (recycled-goods shop), and giraffe (necktie brand).
Please note that reports on MAMC events, which may include photographs taken at the events, will appear from time to time on the Mori Art Museum website. Any MAMC member who finds on our website a photograph taken at a MAMC event in which they are visible, and which they would prefer we did not use, should contact us. We will remove the photograph immediately.
MAMC is a Membership program designed to provide a more in-depth experience of the Mori Art Museum (MAM) and Contemporary art (C). In addition to free admission to exhibitions, MAMC Members enjoy a range of benefits including exclusive events. Applications for individual or corporate membership are welcomed at any time.
* Speakers are subject to change without prior notice.
Public Programs, Mori Art Museum
Tel: +81(0)3-6406-6101 (Mon-Fri 11:00-17:00)
Fax: +81(0)3-6406-9351
E-mail: ppevent-mam@mori.co.jp