Exhibitions

MAM Collection 019: Viewpoint - Haruki Maiko, Katayama Mari, Yoneda Tomoko

2025.2.13 [Thu] - 6.8 [Sun]

MAM Collection 019: Viewpoint features artworks from the Mori Art Museum collection that use photographic expression by three female artists, Haruki Maiko, Katayama Mari, and Yoneda Tomoko.

While these three artists employ photography in their work, the works are less concerned with the classic documentary style and rather focus on the viewer’s involvement in the creation of images. In her series “either portrait or landscape,” Haruki Maiko destabilizes and opens the viewer’s perspective, using a formal standpoint and incorporating the relationship of photography and abstraction as the subject matter. Katayama Mari reverses the power relation between image and viewer, challenging conventional ideas around diversity, normativity, and agency. Finally, Yoneda Tomoko’s series “Between Visible and Invisible” expresses the interrelation between the image on the surface and the narrative beneath.

These works were introduced in Floating Worlds: From Japonism to Contemporary Art held at Les Franciscaines (Deauville, Normandy, France) in 2024. That exhibition, organized with the Mori Art Museum, was part of the Festival Normandie Impressionniste 2024, which commemorated the 150th anniversary of the birth of Impressionism, and featured thirty-four works by seventeen artists from the Mori Art Museum Collection. Impressionism is a movement mainly connected to innovations in painting, but also indirectly to photography, which emerged in parallel during the nineteenth century. The invention of photography formed a turning point for the fine arts. For the first time, it was possible to capture and preserve images of the world as they appeared to the human eye, so that painting’s domain of historical representation became undermined by a new image technology suggesting “visual truth.” This MAM Collection reexamines photographic expression from a contemporary perspective dissecting this “photographic truth” by each artist’s analysis of the medium’s basic constituents.

* For more information about Floating Worlds: From Japonism to Contemporary Art access this page to view the video (in English and French only).


Haruki Maiko either portrait or landscape 1A
Haruki Maiko
either portrait or landscape 1A
2007
C-print
124 x 158 cm
Katayama Mari beast
Katayama Mari
beast
2016
Lambda print, original frame
120 x 120 cm
Installation view photo: Kioku Keizo
Yoneda Tomoko Le Corbusier’s Glasses - Viewing his Paris Lecture notes, L’Habitation Moderne (from the series “Between Visible and Invisible”)
Yoneda Tomoko
Le Corbusier’s Glasses - Viewing his Paris Lecture notes, L’Habitation Moderne (from the series “Between Visible and Invisible”)
2003
Gelatin silver print
120 x 120 cm
Haruki Maiko either portrait or landscape 1A
Haruki Maiko
either portrait or landscape 1A
2007
C-print
124 x 158 cm
Katayama Mari beast
Katayama Mari
beast
2016
Lambda print, original frame
120 x 120 cm
Installation view photo: Kioku Keizo
Yoneda Tomoko Le Corbusier’s Glasses - Viewing his Paris Lecture notes, L’Habitation Moderne (from the series “Between Visible and Invisible”)
Yoneda Tomoko
Le Corbusier’s Glasses - Viewing his Paris Lecture notes, L’Habitation Moderne (from the series “Between Visible and Invisible”)
2003
Gelatin silver print
120 x 120 cm
General Information
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MAM Collection 019: Viewpoint - Haruki Maiko, Katayama Mari, Yoneda Tomoko

Exhibition Period: Thursday, February 13 – Sunday, June 8, 2025


Notice Regarding Photography and Filming in the Galleries

At the exhibition MAM Collection 019: Viewpoint - Haruki Maiko, Katayama Mari, Yoneda Tomoko you may take photographs/film of artworks under the following conditions.

When taking photographs/filming

  • Do NOT touch the artworks.
  • Be careful NOT interfere with other visitors’ enjoyment of the museum.
  • Do NOT use flash lighting.
  • Do NOT use tripods and selfie sticks.
  • Filming, where allowed, must be limited to one minute maximum.

When using photographs/videos taken of the exhibition:

  • Photographs/videos may be used for non-commercial purposes only. Photographs/videos may NOT be used for commercial purposes.
  • Photographs/videos may NOT be altered in any ways.
  • The conditions above are licensed under the Creative Commons License. When uploading photographs/videos for blogs or any other photo-sharing services, please make sure to display the photograph along with such credits as below.

Example:

Artist’s name and work title: Katayama Mari beast
This photograph/video is licensed under “Creative Commons Attribution-Noncommercial-NoDerivative Works 4.0 International.”

* For details about the Creative Commons License and marks, please see the Creative Commons Japan website:
http://creativecommons.jp
* Beware that they may infringe on that person’s right of portrait if photographs/videos that include other museum visitors are made public.


About “MAM Collection”

The permanent collection of the Mori Art Museum, which focuses on contemporary art from the Asia-Pacific region, including Japan, currently comprises over 460 items. The “MAM Collection” series of diverse, theme-based exhibitions is designed to showcase different parts of this extensive collection in turn. Enjoy an ever-changing selection of thought-provoking contemporary art.

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